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I Like Trains, Falconetti, Worried About Satan, Laboratory Noise BD1 Live at St George's Hall, Bradford

There is something unsettling about the end of an evening of what is ill described as mood music night at BD1 Live at Bradford St George's Hall and when I Like Trains finish the set of swirling pulsing extracts from some dark movie you would watch with the curtains drawn there is appreciation rather than an explosion. Atmosphere and foreboding is the order of the day and all assembled are sunk into it.

Laboratory Noise

Laboratory Noise open the second BD1 Live night and fill the stage with compass points of guitars and a bouncing Bass in the middle. The most melodic of the four bands on tonight they make the most of the venue with a rich sound that fills the room. At one point between songs they stop and take in the surroundings - the grand hall and all - and play on comfortably and seemingly at home.

As a band LabNoise improve with familiarity. The layer of early impenetrability pushed through they offer a warmth experience.

Colder and more spiky are Worried About Satan who in soundtrack terms are something that John Carpenter would use at the height of suspense and stretched over twenty minutes hurt the brain. Two guys, one computer and some guitars they are well received by some but mystifying to others. Mogwai are an easy comparison which would put Worried About Satan into the category of post-rock and perhaps I'm dragging my knuckles but I'm still in rock.

Falconetti

Much is expected of Theme to German Spy Thrillers Falconetti who build a rhythm impressively but are on too briefly as they build the swirl around the room commanding an audience that sport more than the usual amount of facial hair, nodding rather than moving, appreciation rather than enjoyment. Everything is very grown up or at least post-teenage angst.

I Like Trains

Falconetti's set goes high but ends up short and another ten minutes would not have gone amiss. They are replaced on stage rapidly by I Like Trains who add the Leeds slick to the night pitching just past Tindersticks and onto rougher ground. They are dour but it is a dour that fits the mood with Dave Martin's notes to audience hint at a maturity of the band appreciated by aficionados. They do what they do well and finish the night pushing all assembled out in the darkened streets of Bradford with a heighten sense of paranoia. I Like Trains are the sound of a strange lurking around the corner. They are an atmosphere more than an album, a dark mood but not a bad one.